Category: Parodos Journal
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Like All Others, Like No Other: Race and Ethnicity in Actor Training
When we’re talking about society, when we’re talking about the world we live in — and I have students from all sorts of backgrounds — when we’re telling stories, it’s messy. And when we talk about race and identity, it’s always going to be messy. Race as a social construct continues to be at the…
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Master Teacher: William Esper
One of those things that’s kept me with Meisner for so long is what his work does. It’ll take you to Shakespeare. It’ll take you to Restoration. It’ll take you to avant-garde stuff … The work prepares the student to be any kind of actor. They can go anywhere with it. Because truth is truth,…
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The Michael Chekhov Acting Technique: A Versatile Approach to Actor Training for the 21st Century
Thanks to the liberating and holistic nature of Michael Chekhov’s acting technique, there is no one way to begin training, no rigid formula, or linear sequence to be followed religiously. It is the fluid essence of Chekhov’s approach that allows it to provide both a foundational training for beginning actors as well as a supplementary…
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Failing Better: On the Joys of Stage Fright and the Success of Failure
Countless actors believe that of the many thoughts and emotions continually coursing through them, fear is the one thing they must hide. The result is that they use a great deal of energy trying not to feel what they are feeling, and so this energy is not available for the acting work. But if, instead…